Iwalewa Gallery

Bruce Onabrakpeya, 1932, Nigeria.

Bruce Obomeyoma Onobrakpeya (born 30 August 1932) is a Nigerian printmaker, painter and sculptor. He has exhibited at the Tate Modern in London, the National Museum of African Art of the Smithsonian Institution in Washington, D.C., and the Malmo Konsthall in Malmo, Sweden. The National Gallery of Modern Art, Lagos, has an exhibit of colorful abstract canvases by Onobrakpeya,...

Bruce Obomeyoma Onobrakpeya (born 30 August 1932) is a Nigerian printmaker, painter and sculptor. He has exhibited at the Tate Modern in London, the National Museum of African Art of the Smithsonian Institution in Washington, D.C., and the Malmo Konsthall in Malmo, Sweden. The National Gallery of Modern Art, Lagos, has an exhibit of colorful abstract canvases by Onobrakpeya, and his works were found at the Virtual Museum of Modern Nigerian Art.
Bruce Onobrakpeya was born in Agbarha-Otor in Delta State, the son of an Urhobo carver. He was raised as a Christian but also learned the traditional beliefs. His family moved to Benin City, Edo State, when he was a child. He attended Western Boys High School, where he was taught art by Edward Ivehivboje. While in high school, he also attended drawing classes at the British Council Art Club in Benin City. During this time Onobrakpeya was inspired by the watercolour paintings of Emmanuel Erabor and a lecture given by Ben Enwonwu, art advisor to the Nigerian government. After leaving high school, Onobrakpeya was hired as an art teacher at the Western Boys High School (1953-56). In 1956 he left for Ondo, where he taught at the Ondo Boys High School for a year.

RECOGNITION
"Bruce Onobrakpeya is amongst the most successful artists to have emerged in West Africa during the 20th century, with continuing and commanding influence on the generation of artists in Nigeria, who have come to maturity in the post colonial period." -John Picton, professor of art history and archeology, in his essay "Modernism and Modernity in African Art"
Honorary D. Litt. from the University of Ibadan in 1989. Honourable mention at the Venice Biennale. Fellowship of the Society of Nigerian Artists on 6 June 2000.
Pope John Paul II award for painting the life of Saint Paul Fellowship of Asele Institute award.
Sadam Hussein award.
Solidra Circle award, and Fulbright Exchange Scholar award. Onobrakpeya is the recipient of the Living Human Treasure Award (2006) given by UNESCO.
Second winner of Nigeria's prestigious Nigerian Creativity Award by the Federal Government of Nigeria on 14 September 2010. Its first winner was Chinua Achebe. Honorary Degree of Doctor of Arts (Hon. D. A) from the Delta State University, 2017.
Recipient of (NNOM) Nigerian National Order of Merit, 2017, the apex and the most important award for scholastic excellence in Nigeria.
Recipient of the U.S. Exchange Alumni Lifetime Achievement Award to recognize his significant contributions to the long existing cultural and arts relationship between the U.S. and Nigeria in 2024.

BRUCE ONABRAKPEYA's Artworks

Abstract Figures In Motion, 2018

Bruce Onabrakpeya

A highly complex, abstract work focused on multiple, intermingling figures, representing the frenetic energy and intricate dance of a community's social, spiritual, and physical life.

Scare Crow 2 , 2011

Bruce Onabrakpeya

A multi-colored, abstract representation of the scarecrow motif, symbolizing protection from harm and the enduring human effort to safeguard resources and secure well-being.

Thanksgiving Dance I, 2019

Bruce Onabrakpeya

A celebratory procession under a symbolic inscription, illustrating the ceremonial sharing of bounty and the cultural practice of acknowledging life's blessings and generational continuity.

Fluid Dancing Figures, 2013

Bruce Onabrakpeya

A visually fluid, energetic depiction of a dance, capturing the exhilarating motion and transformative power of communal rituals in spiritual and celebratory ceremonies.

Green And Black Figures, 2013

Bruce Onabrakpeya

Figures emerge from a dark, rich green field, symbolizing growth, the fertility of the land, and the enduring connection between the people and their natural environment.

Abstract Figures In Motion, 2018

Bruce Onabrakpeya

A highly complex, abstract work focused on multiple, intermingling figures, representing the frenetic energy and intricate dance of a community's social, spiritual, and physical life.

Scare Crow 2, 2011

Bruce Onabrakpeya

A multi-colored, abstract representation of the scarecrow motif, symbolizing protection from harm and the enduring human effort to safeguard resources and secure well-being.

Thanksgiving Dance Ii, 2019

Bruce Onabrakpeya

A celebratory procession under a symbolic inscription, illustrating the ceremonial sharing of bounty and the cultural practice of acknowledging life's blessings and generational continuity.

Green And Black Figures, 2013

Bruce Onabrakpeya

Figures emerge from a dark, rich green field, symbolizing growth, the fertility of the land, and the enduring connection between the people and their natural environment.

Abstracted Vertical Figures, 2013

Bruce Onabrakpeya

Repeating, abstract forms of figures emphasize the collective experience of the group over the individual, reflecting the unity and shared purpose vital to cultural survival.

Vertical Figures In Grey With Red Accents, 2013

Bruce Onabrakpeya

A gridded arrangement of stylized, dark figures, punctuated by powerful red accents, illustrating the disciplined spiritual order and ancestral guidance that shapes communal morality and actions.

Vertical Figures In Green , 2013

Bruce Onabrakpeya

A densely layered composition of vertical figures in a vibrant green palette, representing the ancestral presence and the interconnectedness of generations that sustain the living community.

Thanksgiving Dance 1, 2019

Bruce Onabrakpeya

Figures dance beneath a panel of mystical or ancient script, capturing the ecstatic and ritualistic joy of collective gratitude, ensuring prosperity and continuity for the community.

Feast At Canan, 2022

Bruce Onabrakpeya

A vibrant reinterpretation of a sacred communal meal, featuring richly adorned figures gathered at a table, symbolizing unity, spiritual abundance, and the sharing of life's blessings.

Iyenajo Ebasikoro (two Bicycle Works), 2013

Bruce Onabrakpeya

A dynamic, abstract composition using stark black and white contrasts, weaving together figures and bicycles to explore the intersection of modern motion, life, and community movement.

Thanksgiving Dance, 2022

Bruce Onabrakpeya

A joyous scene depicting a group performing a communal dance of gratitude, set against a backdrop of symbolic script, illustrating the deep appreciation for life and tradition.

Greg’s Motif Ii (ebony Series Ii), 2013

Bruce Onabrakpeya

A composite of nine distinct, masked, and portraitlike motifs, evoking the diverse spiritual forces and traditional masquerade forms that are central to communal protection and celebration.

Traditional Figures Motif, 2009

Bruce Onabrakpeya

This piece captures the essence of Urhobo heritage through bold, stylized figures, symbolizing the foundation of a community's identity and the strength of its cultural roots.

Palmwine Women, 2018

Bruce Onabrakpeya

This vibrant piece portrays women in a moment of communal gathering. The work celebrates the simple beauty of everyday life and the enduring spirit of community, memory, and heritage.

The Ancestral Congregation, 2018

Bruce Onabrakpeya

A vibrant yet somber congregation of spirits. The piece explores the complex relationship between the living and the dead, celebrating the perpetual flow of memory, culture, and shared heritage

Guardians Of The Spirit, 2018

Bruce Onabrakpeya

This intricate composition features a series of powerful figures, each a silent guardian of ancestral memory. The work captures a sense of profound heritage, spiritual protection, and enduring resilience

Dance Of The Green Shadows, 2008

Bruce Onabrakpeya

This dynamic work evokes a ritualistic dance where figures are mere shadows. The piece masterfully uses light and darkness to capture a sense of spiritual rhythm, ancestral memory, and shared heritage.

Egbo Emoghene (forest Of Sky Children), 1996

Bruce Onabrakpeya

A journey into a fantastical forest, where mythical children are born of the sky. This piece captures a realm of pure imagination and spiritual heritage, honoring a sense of wonder and silence.

A Masked Identity, 2018

Bruce Onabrakpeya

This evocative portrait of a masked figure explores themes of hidden identity and spiritual purpose. The work captures a sense of powerful and enigmatic presence, inviting contemplation on the self.

Ofala Festival I, 2003

Bruce Onabrakpeya

A majestic celebration of Igbo royalty and tradition, this piece portrays the Ofala Festival. It is a vibrant tribute to cultural heritage, community, and the enduring power of historical memory.

Ralia And The Little Bird, 2003

Bruce Onabrakpeya

A tender narrative of a girl and a little bird, this piece captures a moment of fleeting connection. It's a whimsical and poignant exploration of childhood wonder and the fragility of nature.

The Hawk Prays For Peace, 2003

Bruce Onabrakpeya

A powerful commentary on conflict, depicting a hawk's bloody past and its future plea for peace. This piece explores the complex themes of violence, reconciliation, and profound hope for the future.

Olorunsogo, 2003

Bruce Onabrakpeya

In a forest of swaying bamboo, a figure confronts a mystical being. The work captures the eerie silence and sudden encounter, exploring themes of spiritual confrontation and the journey towards home.

Gala Day Under The River I, 2003

Bruce Onabrakpeya

A whimsical portrayal of a spiritual journey, where a ghost-transformed pitcher becomes an oracle and smokes a pipe. This imaginative work explores themes of transformation, folklore, and mystical gatherings.

Kurmin Rukiki, 2003

Bruce Onabrakpeya

This captivating piece ventures into a forest of death, where a solitary figure seeks a new beginning. The work evokes themes of courage, tradition, and the quiet dignity of a spiritual quest.

Nudes And Protest Ii, 2003

Bruce Onabrakpeya

The artist uses powerful imagery to protest social injustice. The raw, exposed forms in motion symbolize vulnerability and resilience, capturing the defiant spirit of humanity in the face of brutal suppression.

Poets And Fetters , 2003

Bruce Onabrakpeya

A powerful statement on creative freedom, this piece depicts a vessel for the soul's voice, bound yet unbroken. It symbolizes the resilience of artists and the fragility of expression against oppression.

Gala Day Under The River, 2003

Bruce Onabrakpeya

This dynamic work portrays a spirited underworld dance, a fantastical gala in the bush of ghosts. It celebrates the vibrant and untamed energy of African folklore, rich with memory and imagination.

An Encounter With Eru (fear), 2003

Bruce Onabrakpeya

The artist masterfully captures a moment of intense spirituality, as figures ascend towards a higher plane. The work evokes a sense of shared human resilience and the eternal journey of the soul through adversity.

Okokwo Adi, 2003

Bruce Onabrakpeya

A figure divided, half human and half spirit, stands as a guardian of duality. This piece captures the profound and fragile dance between our tangible reality and the unseen realms of myth and imagination.