Iwalewa Gallery

Ogunnusi Dolapo, 1975, Nigeria.

Born on the 26th of January 1975, Dolapo Ogunnusi hails from Sagamu, Remo, Ogun State. He obtained his formal art training in art from the Auchi Polytechnic, where he acquired his Higher National Diploma in Fine and Applied Arts in the year 2002. After his formal training, he would set out for the Gallery of Modern Arts, (National Theatre,...

Born on the 26th of January 1975, Dolapo Ogunnusi hails from Sagamu, Remo, Ogun State. He obtained his formal art training in art from the Auchi Polytechnic, where he acquired his Higher National Diploma in Fine and Applied Arts in the year 2002. After his formal training, he would set out for the Gallery of Modern Arts, (National Theatre, Iganmu, Lagos), where he practiced as a resident artist. Soon after, his unrelenting draughtsmanship introduced him to various opportunities. Beyond the two dimensional surface of the canvas, Dolapo is a skilled musician, and could have also easily become a successful textile designer.
Dolapo is evident of the popular maxim that the artist and his works are sequels of his environment. Having lived most of his time within Lagos and its outskirt, he has successfully created a profound signature, with his rich and timeless documentation of Lagos and its environs. Each day, for him, is an unceasing observation of his habitat, feeding his endless yearning to paint. He works with a wide range of drawing and painting mediums, ranging from graphite and charcoal pencils to watercolor, acrylics, and oil color.
Dolapo skillfully orchestrates simplified forms, graceful lines and vibrant colors in his works, for compositional coherence- a product of intensive training serving a vivid imagination. For him, abstraction of a picture is very crucial, regardless of the subject. Running the gamut between urban and remote spaces, his canvasses constantly keep abreast of themes like commerce, the fleeting environmental changes, tranquility, and even cultural identity; lurked in the luminosity of his palette.
His mastery of the language of color is absorbing. But one distinguishing element that could tell Dolapo’s canvas apart is his unconventional approach to painting of rough-textured, a technique he has mastered perfectly. More so, is the visually stimulating effect it creates, with stipples of his dark canvas piercing through the rich layers of colors in a dazzling contrast. In a nutshell, Dolapo’s works are a formidable synergy of form, material, and technique.

OGUNNUSI DOLAPO's Artworks

Setting Out (active Women Setting Out For The Day Activities @makoko), 2020

Ogunnusi Dolapo

Women in motion, wrapped in purpose. Pencil lines trace strength in the ordinary-Makoko's morning becomes a metaphor for rising, for resilience, for rhythm.

Grand Pa's House. (my Last Visit To The Village), 2020

Ogunnusi Dolapo

Watercolor memories soften the edges of time. A village visit becomes a quiet pilgrimage where roots whisper and walls remember.

Peaceful Terrain, 2013

Ogunnusi Dolapo

Still hills and gentle hues. A landscape that breathes calm into chaos, reminding us that peace is not passive, it's a choice.

Yellow Buses (the Popular Colour Known For Transport Buses And Taxi In Lagos, Nigeria., 2013

Ogunnusi Dolapo

Bold strokes of yellow pulse with city energy. Lagos rides in rhythm-chaotic, vibrant, alive. A portrait of motion and identity.

Orelope Street (outdoor Study Along My Studio Street), 2013

Ogunnusi Dolapo

A quiet pencil sketch of daily life. The street breathes with routine and reflection where art meets the ordinary, and every corner holds a story.

Eegun Oniwo (masquerade), 2013

Ogunnusi Dolapo

Lines dance with mystery. The masquerade emerges as memory and myth-an echo of heritage cloaked in ritual and reverence.

Figure Study With Charcoal, 2021

Ogunnusi Dolapo

A solitary form rendered in shadow. The body becomes language-silent, expressive, vulnerable. A study in presence and absence.

Makoko Charcoal, 2021

Ogunnusi Dolapo

Charcoal captures the pulse of Makoko-gritty, graceful, alive. A portrait of survival drawn from the soul of the waterfront.

Old Sekere, 2021

Ogunnusi Dolapo

Wrinkled hands cradle rhythm. The sketch sings of age and tradition where music is memory and every beat tells a tale.

Gender Equality, 2022

Ogunnusi Dolapo

Two figures, balanced in form and gaze. A sketch that speaks of dignity shared where equality isn't a concept, but a posture of mutual respect.

The Professor , 2022

Ogunnusi Dolapo

Wisdom etched in charcoal. His eyes hold stories, his silence teaches. A portrait of intellect, friendship, and the quiet power of presence.

On State (charcoal Study), 2022

Ogunnusi Dolapo

A lone figure in thought-charcoal shadows wrap around him like politics. The state becomes personal, and the personal becomes a quiet protest.

Eegun Ajisafe (masquerade), 2022

Ogunnusi Dolapo

Mystery cloaked in tradition. The masquerade dances between worlds spirit and soil, myth and man. A sketch of ancestral echoes.

Amuludun, 2022

Ogunnusi Dolapo

Joy in motion, drawn with reverence. The entertainer becomes a vessel where laughter, rhythm, and culture converge in celebration.

Bata Drummer, 2021

Ogunnusi Dolapo

Hands mid-beat, body in rhythm. The sketch pulses with tradition where sound becomes spirit and movement becomes memory.

Besty Mi, 2021

Ogunnusi Dolapo

A tender portrait of friendship. Lines curve gently around affection, capturing the quiet joy of being seen and cherished.

Ajantala Masquerade, 2022

Ogunnusi Dolapo

A figure cloaked in myth. The masquerade straddles realms-childlike mischief and ancestral mystery, drawn with reverence and wonder.